Central theatre-and-cocktail core; classic hotel bars and themed speakeasies.
Daytime
(18)Soho record shops, Chinatown lunch, Covent Garden market performers
BAO
The gua bao that created queues around the block in Soho — a steamed bun filled with braised pork, peanut, coriander, and fermented greens that became one of the defining food moments of 2010s London. Shing Tat Chung, Erchen Chang, and Wai Ting Chung started with a market stall, then opened this tiny Soho restaurant where the bao, the fried chicken, and the Taiwanese small plates introduced a cuisine that most of London had never encountered. The restaurant is small, the tables are close, the waiters shout orders to the kitchen, and the energy is the energy of a room where every table is eating the same thing because it is impossible to improve on the obvious order.
Bar Italia
The 24-hour Italian cafe that has anchored Frith Street, Soho, since 1949 — a neon-lit, Formica-tabled, espresso-fuelled room that has served everyone from Francis Bacon to the post-club crowd at 4am without ever changing its formula: strong coffee, Italian sandwiches, and the particular atmosphere of a place that never closes and therefore belongs equally to every hour of the day. The Polledri family has run Bar Italia for three generations, and the decor — Rocky Marciano poster, Italian football pennants, the original Gaggia machine displayed like a religious artefact — has the accumulated authenticity of a room that has been itself for seventy-five years. Across the street from Ronnie Scott's, next door to Hazlitt's hotel, and in the heart of what remains of Italian Soho, Bar Italia is not a cafe in the specialty-coffee sense — it is a cafe in the human sense, a room that exists for the city to use at any hour.
ICA Cinema
The Institute of Contemporary Arts' cinema — a single screen inside the ICA building on the Mall, programming experimental film, artist moving image, documentary, and the kind of cinema that exists at the boundary between film and art. The ICA has always been London's most adventurous cultural institution, and the cinema reflects that: programmes that would not survive in commercial exhibition find their audience here, from Apichatpong Weerasethakul to Chris Marker to debut filmmakers whose first screening is in this room. The setting — a Nash terrace on the Mall, between Buckingham Palace and Trafalgar Square — adds a surreal contrast between the experimental programme and the ceremonial address.
Monmouth Coffee
London's specialty coffee pioneer — roasting since 1978 when the idea of single-origin, carefully sourced coffee was virtually unknown in Britain. The Monmouth Street shop is tiny: a narrow room with a few wooden tables and a counter where coffee is brewed with the focused attention of people who have been doing this longer than anyone else in the city. The queue extends down the street on weekend mornings, which is both an inconvenience and a testament to what happens when a roaster spends four decades refining its craft. The beans are sourced directly from farms, roasted in small batches at the Bermondsey roastery, and served in a room that smells like the platonic ideal of coffee. The Borough Market location is larger and has the advantage of the market context, but Monmouth Street is the original and has the particular authority of a place that started it all.
Prince Charles Cinema
London's cheapest and most beloved repertory cinema, tucked behind Leicester Square in a basement that programmes cult double bills, sing-along screenings, marathon sessions, and the kind of audience-participation events that turn film watching into a communal sport. The Prince Charles is the anti-multiplex: tickets cost a fraction of West End prices, the programme changes daily, and the audience often knows the film better than the projectionist. The sing-along screenings (Grease, The Sound of Music, The Rocky Horror Picture Show) are London institutions. The regular repertory — double bills of classic films, themed weekends, all-night horror marathons — attracts the most devoted film audiences in the city.
The Connaught Bar
Named the World's Best Bar multiple times, Agostino Perrone's martini trolley is the bar's defining ritual — a silver cart wheeled to your table where a martini is mixed to your specification with the ceremony of a sommelier decanting a first-growth Bordeaux. The room itself is a David Collins-designed art deco space in the Connaught hotel: cubist murals, silver leaf, platinum leaf, and a hush that makes the clink of ice feel significant. This is luxury cocktail drinking at its most polished — the kind of bar where the precision of the service matches the precision of the drinks and both are calibrated to make you feel that a £25 martini is not merely reasonable but necessary.
Evening & Night
(11)World-class cocktail bars, pre-theatre drinks, Soho clubs until late
BAO (Soho)
Cult-favourite steamed buns and Taiwanese small plates; queue-heavy but rapid turnover.
Curzon Soho
The Curzon chain's Soho flagship — three screens on Shaftesbury Avenue programming new arthouse releases, international cinema, and the kind of curated film selection that sits between the BFI's institutional depth and mainstream exhibition. Curzon has built a reputation as London's premium arthouse brand: comfortable seats, excellent projection, a bar worth visiting, and a programme that reliably surfaces the best independent and foreign films of the year. The Soho location puts it in the centre of London's cultural life — theatres, restaurants, and bars within steps.
Rules (Cocktail Bar)
London's oldest restaurant (1798) with an upstairs cocktail bar; wood-panelled Edwardian glamour.
The Ivy
Theatrical London institution with stained glass, star-spotting, and comforting classics done with West End flair.
Blacklock (Soho)
Basement chophouse with skinny chops and all-in Sunday roasts; unpretentious and loud.
Cahoots
Immersive 1940s Underground-station bar with luggage racks, announcements, and theatrical cocktails.